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"No. Of course I remember you now," says Mona, taking all this nonsense as quite bona fide sense in a maddeningly fascinating fashion. "How unkind I have been! But I was listening to the music, not to our introduction, when Sir Nicholas brought you up to me, and—and that is my only excuse." Then, sweetly, "You love music?",

"Your daughter is over there with the buffalo. She says 'Wait,'" said the magpie when he had flown back to the poor father.,

"I am so glad you have come, darling," says little Dorothy, taking off her hat, and laying it on a chair near her.,

"'Top corner,—right hand,'" goes on Mona, taking no heed of him, and speaking in the same low, mysterious, far-off tone.

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Taking up the hapless heather, she throws it on the ground, and, in a fit of childish spleen, lays her foot upon it and tramples it out of all recognition. Yet, even as she does so, the tears gather in her eyes, and, resting there unshed, transfigure her into a lovely picture that might well be termed "Beauty in Distress." For this faded flower she grieves, as though it were, indeed, a living thing that she has lost.,

"You speak like a book," says Rodney, with an unlovely laugh; "but advice seldom cures. I only know that I have learned what stagnation means. I may alter in time, of course, but just at present I feel that,

"Well, just one moment," says Geoffrey, detaining her, "let us finish what we were saying. Would you rather go to the East or to Rome?",

The momentous Friday comes at last, and about noon Mona and Geoffrey start for the Towers. They are not, perhaps, in the exuberant spirits that should be theirs, considering they are going to spend their Christmas in the bosom of their family,—at all events, of Geoffrey's family which naturally for the future she must acknowledge as hers. They are indeed not only silent, but desponding, and as they get out of the train at Greatham and enter the carriage sent by Sir Nicholas to meet them their hearts sink nearly into their boots, and for several minutes no words pass between them.